The basis of the movie is a special forces dropout and now CIA computer analyst Edward Snowden (Gordon-Levitt) leaking thousands of illegal and classified surveillance technique documents distributed to the press of the real life events that went down between 2004 and 2013.
A classic cop and robbers tale with a modern twist. Hell or High Water is a pacy, and at times, highly absorbing, neo-western drama from talented Scottish director David Mackenzie. We follow the escapades of two brothers, reunited against the bank that’s threatening to foreclose their families oil rich farm. It’s a simplistic story, that packs a punch, questioning the morality of today’s society, the greed of banks and the human effect of the economic decline in south west Texas.
Arrival in its most basic concept is a story of Alien ships arriving on Earth. Twelve of them to be precise, dotted around various different locations. It focuses on the ever more frantic attempts of two scientists, one a linguistic expert, Louise Banks (Amy Adams) and the other, an Astro physicist, Ian Donnelly (Jeremy Renner), in their attempts to communicate with two large Alien creatures, before the worlds military declares all out war. Thankfully, at the heart of this sci-fi drama, is a considerably more complicated movie. Language is the key focus here, not the war or violent struggle for supremacy with galactic overlords that we normally see in films within this genre. It’s a wonderfully introspective look at humanity, how it deals with grief, compassion and most importantly communication.
The story, if you don’t know by now, is about how the Rebels obtained the plans to destroy the Death Star. We already know they succeed. So, why bother? BECAUSE, COOL STUFF. Let me elaborate. A New Hope succeeds without an introduction. It has for almost forty years.
It’s been five years since audiences savoured the magical world of Harry Potter. Long gone is the familiar landscape of Hogwarts, the much loved professors and the familiar characters we all grew to love. In their place is 1920s New York in all its gothic goodness. It’s beautifully dated landscape serving as a perfect backdrop to the continuation of the dark, grittier tone seen in the Deathly Hallows.