The Righteous (2021) Movie Review

The Righteous is slow burning and never particularly scary – not to mention some biblical interpretations that are a tad too literal – the haunting denouement is worth our patience.

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The Cellar (2022) Movie Review

Despite a climax that arguably shows too much – undermining some of the tension – the film comes to a haunting conclusion. Anchored by a fluid pace, atmospheric production design and decent performances, The Cellar doesn’t score many points for originality, but it’s a solid, spooky spin on a familiar premise.

Roohi (2021) Movie Review

This movie has so many remarkable events that someone will not forget even after a weak of watching the movie. My aim here is to provide you with a shorter insight of the movie not the spoilers of the movie so that you will develop some interest to watch the movie.

Tumbbad (2018) Movie Review

This movie portrays old Indian lifestyle of common people very intelligently and The Fear you feel while watching is extreme. Hindi Cinema Had not produced a cult horror film since long time but Tumbbad was a break to it. It was a highly underrated when released but when it came to OTT word of mouth increased its popularity. Plot is very unique and it’s connection with hindu mythology is just fabulous.

The Boy Behind the Door (2020) Movie Review

Though there are a few lapses in credibility and logic, The Boy Behind the Door compensates with convincing performances (especially Kristin Bauer van Straten) and smart, economical direction. Writer-directors David Charbonier and Justin Powell’s minimalist approach to dialogue and exposition not-only respects the audience’s intelligence, it exacerbates the tension.

Superhost (2021) Movie Review

Superhost is frequently amusing, with bits of suspense here & there and a wonderfully gruesome death scene involving a knife to the face. Legendary scream queen Barbara Crampton is even on-hand for what amounts to a glorified cameo. But in addition to Gillum’s caffeinated performance, the film works best when having fun at the expense of the “Look at me!” culture. Those people have it coming.

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