Ghost in the Shell (1995) Movie Review By D.M. Anderson

Similar to 2001: A Space Odyssey, Ghost in the Shell has always been more of a sensory experience than a narratively compelling one. For me, the best moments have nothing to do with the story, such as the dialogue-free sequence that’s essentially a grand tour of dystopian Tokyo. Presented in long takes, accompanied by nothing but Kenjo Kawai’s haunting score, it’s like viewing a series of vivid animatic paintings. Though I’m not a massive anime fan, the film is constantly engaging just to look at, nearly every scene so rich with detail that catching everything in one sitting is impossible

Max Reload and the Nether Blasters (2020) Movie Review By D.M. Anderson

Alas, much of this is only going to be amusing to gamers who “get it,” or at-least people familiar with the culture. There might also be some additional appeal to old school nostalgics who recall the days of yore when Colecovision briefly threatened Atari’s reign in the 80s. With the exception of a few great comic performances that transcend the subject matter, most ordinary folk’ll sit stone-faced through a majority of it.

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