Tag Archives: Andy Serkis

Star Wars: The Last Jedi (2017) Movie Review by John Walsh


Director: Rian Johnson
Writers: Rian Johnson, George Lucas (based on characters created by)
Stars: Mark Hamill, Carrie Fisher, Daisy Ridley, Adam Driver, John Boyega, Oscar Isaac, Andy Serkis, Domhnall Gleeson

Well it has to be said, its been two extremely quick years following the release of ‘The Force Awakens’ and now Rian Johnson’s take on the Star Wars saga is out in theatres. It would be fair to say that not everyone is a overly enamoured with his vision. There has been a very vocal minority of Star Wars fandom that have taken to aggressively bashing it; even going as far as creating bots to negatively impact the Rotten Tomatoes viewer score.

This doesn’t mean that every detractor of the film is doing this or is wrong to be airing their grievances. They aren’t. Films are a highly subjective matter at the best of times. Now, combine that with a much beloved franchise and characters that have been a part of pop culture for nigh on 40 years and you’ve got yourself a recipe for some heated disagreements.

But enough of that hysteria. What did I make of it all? Well, if you’ve been listening to our podcasts then we did actually do a review last week but laying out your thoughts mere hours after leaving the cinema can make for tricky business. Things can be missed. Hence why I’m doing a written version after another viewing in an attempt to do a more ‘in depth’ review.

First of all, I’ve been a Star Wars fan for as long as I can remember. I recall playing with a Sand People figure when I was about four or five years of age and being absolutely fascinated with that galaxy far, far away. My credentials in that department are undeniable, and as a complete nobody, I can’t be accused of being a Disney shill. I absolutely loved this film. It’s not good enough to trouble the original three but it’s a damn good film and I’m genuinely perplexed at the vitriol coming from some quarters.

It begs the question. Just what were people expecting? A three and half hour long film that answered every single theory just as they’d painstakingly thought out?

Rian Johnson has a reputation for going dark, for his excellent writing ability and for just being a great director period. He’s also been a Star Wars fan from the age of four. What better credentials could you ask for? And what he’s given us is a fabulously entertaining film, that develops the newer characters well, offers a satisfying progression for the older characters, but more importantly expands and shakes up a mythology and galaxy that quite frankly had become static and in danger of repeating itself ad infinitum.

He tied up the two major loose ends JJ left from ‘The Force Awakens’ and did it well. Was it exactly what I wanted? Nope. Did I enjoy the direction he took? Yup. Rey’s parents? Yeah, they were unimportant nobodies. She wasn’t a Skywalker but instead a naturally gifted random. Fair enough. Snoke? He wasn’t Darth Plagueis. He was just some bushy eyed, deformed looking weirdo with a frankly incredible connection to the force, that had a fetish for gold and was cut down in spectacular fashion.

Luke Skywalker is by far my favourite Star Wars character. His arc seems to be causing the biggest amount of anguish amongst the films detractors. Again, Rian Johnson did not go down the path I personally would have liked to have seen come to fruition. He didn’t cut down the Knights of Ren in an epic lightsaber battle, didn’t slap down Kylo and he didn’t even leave that bloody island. But man, did I enjoy Luke in this film. The way he takes his nephew to school at the end, playing on his clear penchant for impulsiveness was a joy to behold.

The sight of him walking out to face the might of the First Order was a standout moment. Everything about it was perfect. From ‘The Spark’ theme (Williams best in this film) to the visuals, it had my personal favourite wide shot in the film too.

Mark Hamill is utterly brilliant in ‘The Last Jedi’. It’s arguably his best performance in the character of Luke. Hell, it’s arguably one of his best live action performances period. He’s been through some shit and it’s changed his character in the thirty year gap. He’s experienced unimaginable hardship, loss and learned some incredibly cool force abilities. He’s a tad grouchy and he’s taken to drinking green milk from the udder of a hideous alien. He also lost some weight and looks fantastic for it.

Princess Leia is handled very well too. The late Carrie Fisher was much improved here, giving a very good showing, following her practically mute role in ‘The Force Awakens’. The infamous space scene wasn’t as bad as some have made out. I thought the scoring and visuals were on point during it and it finally showed us Leia using the force. What’s not to like? I was also incredibly pleased to see her have a moment with Luke. It would have been criminal for either of those two to go out without sharing a scene together. It was a genuine lump in the throat moment.

Visually, I thought the film was stunning. It’s the most stylish to date and some of the action, aided by lovely wide shots, was jaw dropping. The opening shot where the camera rushes down was exhilarating, the Canto Bight stuff popped despite being superfluous, the scene when General Holdo (Laura Dern) sends the Resistance cruiser zooming through Snoke’s Supremacy was ridiculously cool and that lightsaber battle in the throne room is up there for me. There was a plethora of visually incredible moments in this film and sadly I can’t possibly list them all which is annoying.

Speaking of Canto Bight. Finn and Rose’s side plot was unnecessary, disrupted the pacing, was off in terms of tone and felt like a rather convoluted way to setup the showdown on Crait. Benicio Del Toro’s character was poor and don’t even get me started on the druggy stutter. It felt superfluous to the main plot and conjured up memories of the prequels whilst also featuring some real corny dialogue. That along with some poorly worked comedic moments and the slightly underwhelming walkers at the end was the only real let down for me.

In terms of Rey and Kylo. I actually loved the whole dynamic of their relationship in this one. The force ‘FaceTiming’ as I called it wasn’t that off putting, was explained well and again opened up new possibilities. Rey is obviously struggling to find her role in things, trying to coax Luke into training her whilst Kylo is really on the end of a prolonged bout of bullying at the hands of Snoke and equally questioning his role. Which is why I was delighted when he ended him. It was deserved and Kylo is fast becoming my favourite of the newer characters.

Adam Driver is a brilliant actor and he’s really showing up Hayden Christiansen in the how to play a conflicted character stakes. I see now why JJ hand picked him for this role. By the end, it’s pretty clear that he’s went full big bad however which is a shame because even now I want him redeemed. He’s clearly the last thread of Skywalker heritage in this saga that can realistically continue and for that reason alone I want him to survive. It’ll be very interesting to see where he goes from this.

Daisy Ridley has been criticised in some circles for her so called wooden delivery of certain lines. I must have been watching a different film though because I missed these completely. Perhaps I was too busy just enjoying the story and action instead of looking for reasons to throw the toys out the pram. She was absolutely fine for me and I felt they reigned in her ‘overpowered’ abilities, making her more vulnerable, particularly during the throne room sequences to appease the ‘Mary Sue’ brigade.

I can’t discuss this film without mentioning Poe and General Hux. Oscar Isaac is a talented actor and I’m delighted he was given a chunkier role. He learnt a valuable lesson in this and it looks like he’s taking control of the Resistance going forward. Hux was often used as comedic levity and for the most part it worked. His little smirk at Kylo upon leaving the throne room and general slyness was oddly enjoyable. Domhnall Gleeson owns the character.

Musically, John Williams returns to score this and it’s brilliance from the man as ever. There’s not many new themes in there but that’s probably because there’s not many new characters worthy of them. What he does do is reintroduce many classics to delightful effect. The Leia theme has a delicate moment in the space scene whilst Yoda’s adds an emotional edge to the return of that particular character. It just isn’t Star Wars without the great mans involvement.

Incidentally, the Yoda scene was absolutely fantastic. The puppet looked great and they nailed the mannerisms and the eccentric personality we all loved from the Original trilogy.

This is a divisive film and much of the hate appears to stem from two main issues. Firstly, predetermined fan theories not coming true, and secondly, the apparent callous way in which established mythology and characters have been dealt with. As I said earlier, I’m delighted that the mythology has been freshened up. This misconception that you must be from famous lineage to be a Jedi is just that. I think the older characters were handled competently. It’s all subjective though.

Overall. I think the positives more than outweigh the negatives in ‘The Last Jedi’. It’s not perfect by any means but it’s a brilliant addition to the Star Wars saga and opens up so many possibilities going forward. It’s added freshness to the franchise, Luke still very much has a role to play and the fate of the Resistance hangs on a knife edge. I look forward to Episode 9 now and Rian Johnson’s trilogy and I highly recommend this one to the majority of fans. Most will already have seen it mind, but if you haven’t, then what the hell are you waiting for?

Rating: 4.5/5

Dawn of the Planet of the Apes (2014) Movie Review by John Walsh


Director: Matt Reeves
Writers: Mark Bomback, Rick Jaffa
Stars: Gary Oldman, Keri Russell, Andy Serkis, Jason Clarke

Having discussed the film recently in our podcast, I thought I’d do a more extensive retro review of the 2014, blockbuster release, Dawn of the Planet of the Apes from director Matt Reeves.

The film picks up ten years on from the events seen in Rise of the Planet of the Apes and following the pandemic of the ALZ-113 virus, it would be fair to say that things haven’t went well for humanity. Their numbers are greatly reduced and they’re separated into various small colonies with commodities and power proving to be scarce. Their last stand, if you will, plucky resistance and refusal to be wiped out by the Simian flu is all that is stopping the apes from taking over completely.

Indeed, as the name suggests, much of Dawn of the Planet of the Apes focuses primarily on Caesar and his leadership. Both him and his group of increasingly intelligent primates have built an extensive settlement, carved out a self sufficient existence in the woodland not far from San Francisco. They have a basic education system in place and a wonderfully intelligent verbal and sign language mix communication.

All is well, but it’s not long before their peaceful existence is disturbed when a small group of humans led by Malcolm (Jason Clark) run into two scouting apes. Things go awry to say the least when Carver (Kirk Acevedo) develops an itchy trigger finger and shoots one in panic, invoking the wrath of the entire colony down upon them. Caesar (Andy Serkis) being a stern, but highly intelligent and ultimately compassionate leader warns them off sending a few apes to follow.

Trouble is, the scouting team where heading into the hills to inspect and try to kickstart a hydroelectric plant back into life. With their limited power supplies only a week from running out, this is their only chance of potentially restoring full power to the city, preserving their way of life and opening up communications with any distant survivors. Which explains the frankly moronic decision by Malcom to return with his family and a few others to try and reason with Caesar. After informing Dreyfus (Gary Oldman) of the incident, amidst much panic and agitation, and also getting a visit from the Apes shortly afterwards in an impressive show of strength to ram home the stay clear message, they come to the conclusion that they must try and convince the charismatic Caesar into allowing them access to the dam anyway.

That’s really the superficial premise of the story. It focuses on the initially uneasy relationship between Caesar and the the small party of humans led by Malcolm. With their admiration, friendship and common purposes both growing and becoming apparent as the story progresses. Whilst alternatively showing the other side and ideology of the formers rival Koba (Toby Kebbell), his deeply set hatred of humans, what he believes is weakness from his leader and desire for conquest. On the human side of this ideological divide is Dreyfus. He’s not quite as blinkered by sheer hatred as the tortured Koba, but puts out a call to arms nonetheless with self preservation and an untrusting attitude towards the Apes ever present if slightly hidden to begin with.

In terms of acting in this film. There’s a quite a few very good showings in a strong ensemble performance and one truly great performance. Andy Serkis is utterly incredible as the conflicted, charismatic Caesar. He displays a range of emotions throughout, from beautiful tender moments and sadness to flashes of anger and frustration. He acts with his eyes, his body and the few words he properly speaks are powerful. This man is the mo cap master and a genuine great of our times in that regard. Jason Clark has the meatiest role out of the human characters and is generally very good. I enjoyed Gary Oldman’s relatively short time on the screen, whilst the brilliant Toby Kebbell was excellent as the villainous Koba. An honourable mention must be given to Kodi Smit-McPhee’s portrayal as Malcolm’s son Alexander too.

The visuals were phenomenal from the opening shot onwards. Little details like the Apes coats matting in the rain were captured beautifully. I actually forgot that I was looking at CG characters after a while such was the quality of the visuals and the soul and emotion the actors imbued each of them with. Disputes being beautiful, they thankfully never defined the film. Whilst Michael Giacchino’s score is great for the most part too.

I particularly liked the way this film had slow paced, deathly silent, tender moments before bursting into explosive action. The final forty five minutes pretty much transformed into a pure action film when Koba wrestled control of the colony after shooting Caesar, framing the humans for it and waging war upon them.

Dawn of the Planet of the Apes is a pretty clear political allegory with connotations to the recent conflicts in Libya and Iraq springing to mind. It’s also about conflict both within Caesar himself and more generally between Ape and Human with two distinct ideologies fighting for superiority. Thankfully Caesar is more pure of heart than his real life counterparts and chooses to remain faithful to his beliefs when faced with inner conflict and the realities of life after rebellion, even if it does mean contradicting his mantra of Ape not killing ape to escape turning into the very thing their human captors were.

Ultimately, I loved this film. It had everything really, including an intelligent story to compliment the visuals and action. I would have no hesitation in recommending it to anybody that hasn’t had the chance to see it. You won’t be disappointed.

Raging: 4/5.