It’s seldom boring and the performances are good, especially Nivola’s, as is the attention to period detail (punctuated by a killer soundtrack). Most importantly, even though there are definite allusions to The Sopranos – such as younger versions of a few supporting characters – one doesn’t necessarily need to be well-versed in the lore to enjoy it. The Many Saints of Newark may not be a new gangster classic, but as a violent, pulpy, stand-alone film, it works just fine.
