Tag Archives: Evangeline Lilly

Avengers: Endgame (2019) Blu Ray Movie Review By D.M. Anderson

Avengers: Endgame Review

Directors: Anthony Russo, Joe Russo
Writers: Christopher Markus (screenplay by), Stephen McFeely (screenplay by)
Stars: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Paul Rudd, Brie Larson, Benedict Cumberbatch, Chadwick Boseman, Tom Holland, Karen Gillan, Zoe Saldana, Evangeline Lilly, Bradley Cooper, Josh Brolin, Chris Pratt, Tilda Swindon, Dave Bautista, Anthony Mackie, Sebastian Stan, Elizabeth Olsen, Tessa Thompson, Benedict Wong

The major downside to catching Avengers: Endgame in theatres was the risk of subjecting my bladder to irreparable damage. In my younger days, simply holding-it for three hours was no big challenge. Back in college, I even once participated in a drinking challenge where we’d see who could go the longest without relieving ourselves. I didn’t win, but did manage to make it almost four hours.

Those were different times and Endgame is a different type of epic. We’ve all sat through three-hour films before, but thanks to the Infinity War’s open-ended resolution and plethora of unanswered questions – not-to-mention a year’s worth of fan theories and speculation – taking a bathroom break would risk missing a key scene, plot twist or revelation. I’ll give the Russo Brothers credit for one thing: Every scene in Endgame feels vital at the time, making it a tough movie to walk away from, even for a moment.

At the showing my family and I attended, not a single theatregoer got up to leave once the film started. Afterwards, the continuous sound of flushing toilets echoed throughout the lobby for five straight minutes. I, for one, made the mistake of buying a soda before the movie, which I began the regret around the 90 minute mark. By the third act, my screaming bladder made it a challenge to fully immerse myself the film’s numerous emotional payoffs.

So despite being a fitting, larger-than-life capper to Marvel’s 22-film story arc, Endgame ultimately plays better at home, at least for those of us not endowed with iron bladders. In addition to reacquainting myself with the story thus-far by revisiting Infinity War beforehand, seeing Endgame a second time – able to hit pause when nature called – was far more enjoyable.

While I still loathe the practice of stretching a single story across multiple movies, Endgame justifies its existence – and length – due to the sheer number of characters, story threads and loose ends to tie in a manner that meets expectations of legions of MCU fans. A taunting task, to be sure, which Endgame manages to pull off. The film remembers its past while acknowledging the future, and is well-aware of the finality its title suggests (for the story arc and some major characters). In that respect, Endgame pushes all the right emotional buttons.

But unlike the original Star Wars trilogy’s most iconic moments, Endgame meets expectations without really ever exceeding them. As viewers, we already have a laundry list of plot points awaiting explanation, questions to be answered and characters’ odds of living or dying. All those boxes are checked-off – often magnificently, sometimes poignantly – but there aren’t any revelations as jaw-dropping as learning who Luke’s father is. And even at three hours, there are simply too many characters for everyone to get adequate screen time (some don’t even appear until the climax). Fans of certain characters will inevitably be disappointed by what amounts to a cameo.

However, those are minor quips. Endgame is ultimately a slam-bang crescendo to this massive franchise, the likes of which we won’t likely see again for a long time. While sweeping and epic in scope, it’s still filled with the smaller, character-driven moments that have always made the MCU engaging (something DC is just now figuring out). I’ve personally never met anyone disappointed by the outcome. I’m sure they’re out there, but maybe their bladders were simply too full to enjoy it the first time.

Ant-Man and The Wasp (2018) Movie Blu-ray Review By D.M. Anderson

Ant-Man and the Wasp

Director: Peyton Reed
Writers: Chris McKenna, Erik Sommers
Stars: Paul Rudd, Evangeline Lilly, Michael Peña, Michael Douglas, Michelle Pfeiffer, Walton Goggins

When heavy metal was at the height of its popularity, most bands could be counted-on to include at least one power ballad on each album, a relatively quiet song that was seldom the best tune on the record, but got the most radio airplay and had fans whipping out their lighters during a concert.

The power ballad also served an important aesthetic purpose, offering a brief respite from the sonic fury of the rest of the album. For example, smack-dab in the middle of Metallica’s Ride the Lightning is a song called “Fade to Black.” While still heavier than anything Poison ever recorded, it was sort of a breather from the constant speed and intensity of the surrounding songs.

As films in the MCU grow longer, louder and increasingly epic, the Ant-Man films are sort-of like Marvel’s power ballads. The second film, Ant-Man and the Wasp, is more tied to the MCU story arc than the first, but steadfastly maintains the same light, breezy and humorous tone, another welcome break from the serious implications and apocalyptic battle royals where the fate of the world is at stake.

Not that it skimps on spectacle. As power ballads go, Ant-Man and the Wasp is still more Metallica than Poison. But the stakes are more personal, the characters more grounded and realistically flawed. One thing I appreciate about Paul Rudd’s amusing take on the title character is that he screws up as often as he succeeds, and most of the supporting characters (Evangeline Lilly as Hope/Wasp in particular) are just as integral to the plot. Most distinctively, the action & visuals are as humorous as they are eye-popping (you haven’t lived until you’ve seen a giant Pez dispenser take-out henchman).

Other than an ominous MCU-related coda during the end credits, Ant-Man and the Wasp, while not strictly mining for laughs, is never overly serious. It’s even shorter than other recent Marvel movies, never outstaying its welcome. Like heavy metal power ballads, the film may not be among the most essential entries in the franchise, but like the first Ant-Man, it’s a welcome change of pace. Even fanboys need an occasional breather.

Ant-Man and the Wasp (2018) Movie Review By John Walsh

Ant-Man and the Wasp

Director: Peyton Reed
Writers: Chris McKenna, Erik Sommers 
Stars: Paul Rudd, Evangeline Lilly, Michael Peña, Michael Douglas, Michelle Pfeiffer, Walton Goggins

I finally got round to watching Ant-Man and the Wasp a good week back, just the one month after the rest of the world. I knew about the end credit scenes, because frankly, I couldn’t wait to see how they interconnected this with the events of Avengers: Infinity War and so I succumbed to reading about them on the internet. They had to do it following Scott Lang’s non-involvement and I have to say that I was pleased and relieved that Disney/Marvel didn’t intrude upon the actual films plot with any Thanos related incidents. 

This had to be a more street level, more intimate affair, focusing on Scott Lang, Hope Van Dyme and Hank Pym. I’ve always enjoyed that element to the MCU over the years. Their ability to jump from cosmic scale events to fighting a corrupt businessman with itchy fingers and a propensity for turning up at just the right time. That last bit is directly connected to this film, admittedly, but we’ve seen it time and again, in the in the other standalone films. Be it the ragtag group of terrorists in Iron Man, Yellowjacket, Aldrich Killian, or more recently, Killmonger. 

Thankfully, it is more street level. It begins with the focus on Scott Lang, post Civil War. He’s under house arrest and he unwillingly gets stolen away by Hope (Evangeline Lily) and Hank (Michael Douglas), as they try to save Janet (Michelle Pfeiffer), who’s apparently alive and still trapped in the quantum realm. There’s two main antagonists and a minor, comedic one. Primarily, we’ve got Ghost/Ava (Hannah John-Kamen), weaving through doors and walls, trying her damnedest to steal Pym’s latest invention for herself, a portal to the quantum realm. 

Why does she want it? Well, her father is Elihas, a former partner of Hank, who killed himself and his wife, during a quantum experiment. This left Ava in a permanent state of agonising pain, with her body tearing itself apart, again and again. She wants Hank’s lab to extract quantum energy, in the hope of it curing her, with the help of Bill Foster (Laurence Fishburne), another disenfranchised ex-partner of Pym. Which would be perfectly fine and dandy, if it wasn’t for Janet being trapped within and the danger of her being killed by such an excursion. 

The second antagonist, is a wiry, snake of man called Sonny Burch (Walton Goggins). He’s an opportunistic, low level criminal and more of a traditional villain. His main objective for the entirety of the film is fairly simple. He also wants the Pym lab for his own and endeavours to sell it onto the black market for monetary gain. I described him as being similar to the Beni character from ‘The Mummy’ in that he’s full of misguided cockiness, but does have a propensity for arriving on the scene at the right time, much to the chagrin of  Scott and Hope, who he taunts frequently. Ava is a relatable antagonist, with a semblance of humanity. Sonny, is a little annoying bitch. 

Thirdly, you have Jimmy Woo (Randall Park), an FBI or some kind of law enforcement officer who makes regular trips to the Lang household to make sure Scott is maintaining his house arrest. He’s not a proper antagonist as such, but he’s a thorn in the side of Ant-Man, who often has to leave more important matters to dash back and keep up the facade of ignorance to the forty foot plus superhero wading through water in the Ant-Man suit, which is definitely not him. No way. Woo brings some much needed comedic relief along with the usual suspects of Luis (Michael Peña), a family pet sized ant and even Lang himself. 

The humour is fantastic, incidentally, and very reminiscent of the first film. It’s reminiscent of just about every MCU film in existence. They know how to blend all the different elements together to create a perfect tonal stew. Paul Rudd is no stranger to that genre too and he’s got the gift of comedic timing and hilarious line delivery. From the “Hank I would never do that to you, I respect you too much” to the “I don’t think you got the gist of the game” quip to Hope. He’s a very likeable, loveable even, goofball. Luis also brings the comedy with his antics and even a certain Mr. Douglas has his moments too with a few one liners. 

The story is pretty simplistic throughout really, I pretty much nailed it all in one sentence earlier, but that’s absolutely fine for a film like this. It doesn’t need a complicated, convoluted plot to work. It gave me exactly what I wanted with the relatable, great characters we love returning, slick and quick paced action, more of Pym’s cool shrinking technology, more great humour and stunning visuals. But more importantly, the aforementioned human level antagonists and story. It was a great change of pace, it was escapism, and for me at least, an improvement on the original. That’s no mean feat either, because that was one of my favourite standalone MCU films.

My only gripe for this film was the bone headed decision from the Disney executives to delay its release in the U.K. by a month. Ok, fair enough, the World Cup was on and that can have ramifications for the box office performances. That seemed to have overlooked the fact that three of the four countries that make up the U.K. weren’t even in the tournament though. There’s little appetite in Scotland to watch England coasting to a semi-final. Watching Ant-Man would’ve been the perfect remedy. That’s before you even mention that a large part of the core demographic probably doesn’t even follow football.

It was a mistake for me and it’s came back to bite them in the arse because it’s not doing too great at the box office regardless. A large proportion will have watched a pirated copy, which is criminal, particularly for a film of this ilk. But it’s also understandable too. Nobody wants to be waiting a month longer to see a blockbuster release like this. If it was the United States getting that treatment then there’d be riots. That being said, I think the fact my biggest criticism isn’t even about anything within the film itself will speak volumes.

It’s another highly enjoyable ride from Disney/Marvel. They’ve nailed the formula at this stage, they know what fans want and they bring their A game every time now. It’s a more than worthy addition to the collection. Of course, I’m biased because I love Paul Rudd and the Ant-Man character, but it’s a highly recommended watch.

Rating: 5/5

Little Evil (2017) Movie Review by Darrin Gauthier

LITTLE EVIL

Director: Eli Craig
Writer: Eli Craig
Stars: Evangeline Lilly, Adam Scott, Sally Field

Plot: Gary, who has just married Samantha the woman of his dreams, discovers that her six-year-old son may be the Antichrist.
Running Time: 1 hour 35 minutes
IMDB Score: 5.7

Why I watched it: It’s a good cast and I really liked director Eli Craig’s film “Tucker and Dale vs Evil” I very funny horror comedy.

Random Thoughts: I say this anytime I watch or review a horror comedy, it’s the toughest sub-genre to nail, if it’s too scary then the comedy might not work and if you go too over the top for laughs you ruin the horror element. It’s all about the tone, it’s a balancing act.

What I liked: The set up doing the Omen as a horror comedy, it’s important to point out this isn’t a parody, so they’re playing with the cliches of that type of movie and they do reference The Omen in Little Evil. I will say since this is the director of Tucker and Dale vs Evil that here he’s going more for laughs, there isn’t the gore that was in his other film, this has more of a comedy feel to it. So the tone if lighter than I would have thought going in, but I’m fine with that if it works and it did sometimes here.

The cast is pretty good and the supporting cast is very good Bridget Everett as a co-worker of Adam Scott and also a step dad gets most of the laughs. The thing I liked that there isn’t anything made of the fact that she’s gay, she’s a step dad and treated as such. Tyler Labine has a nice cameo and really the jokes there are very well written and very clever unlike most of the film. Also want to point out that Clancy”freakin” Brown and Sally Field? show up, give them a hand for random casting.
The one joke I thought that played well was the fact Adam Scott is in this marriage and his step son id probable the Antichrist and he should run but he looks at his wife who is Evangeline Lilly and doesn’t cause she’s hot, it’s a basic joke but it worked.

What I didn’t like: First off it’s not a horror comedy, it’s just a comedy and a family one at that. It’s not scary and the tone is too light for the material, one of the plot points is he was to kill his step son cause he’s the Antichrist, that’s heavy that’s horror the way they do it so doesn’t fit and the tone slides all over at the end. They had a chance to play with this, to go big, I would have loved some gore you could really play with the evil child genre but they go for jokes that most of the time fall flat. This is a comedy pure and simple and yes it does resemble Problem Child more than The Omen.
I don’t mind Adam Scott as an actor but he’s too low key here, he brings no energy at all, he doesn’t play up the fear or the love of being a family man, he plays it bland right down the middle. It would have been way more fun to see Bridget Everett’s character as the lead, if they wanted to do horror comedy they should have played along with the kid being the Antichrist, what can I do I love him he has to destroy the world I have to support him he’s my step son, something other than what they did. This is a paint by numbers comedy.

These Netflix Original movies have been mostly disappointing they haven’t take any real chances, they could have done something different but instead they made a late 90′s comedy.

Final Thoughts: I did smile a few times, not laugh but mostly disappointed at the film not being a better horror comedy.
Rating: 4/10