Tag Archives: Domhnall Gleeson

A Futile And Stupid Gesture (2018) Movie Review By Philip Henry

A Futile and Simple Gesture

Director: David Wain
Writers: Michael Colton, John Aboud. Based on the book by Josh Karp
Stars: Will Forte, Domhnall Gleeson, Martin Mull

Netflix really are pumping a lot of money into creating original content for their channel and unlike some other channels – I’m looking at you SyFy – they’re sparing no expense with the projects they greenlight.

This isn’t a big FX laden movie, but it is a period piece, taking place mostly in the 1970s and 80s, and that alone is enough to make producers break out in a sweat, when you start thinking about dressing everyone in the right clothes, the right hairstyles, if your characters walk down the street all the shops and vehicles have to be period correct – well, you can see how costs soon rise.

I have, of course, heard of National Lampoon’s. The first time was probably Chevy Chase taking his family on a doomed vacation to Wally World. It’s a movie I still love. Over the years I did hear something about a National Lampoon magazine, but I never saw a copy (was it even available in the UK?) and frankly thought it was a spinoff from the movies. Now I know it was the other way around.

While studying at Harvard, Doug Kenney and Henry Beard run the Harvard Lampoon – a humorous campus magazine. Instead of following their chosen paths, when they graduate they license the name to go national and start a magazine. There’s the usual trouble finding someone to back it, and people to work on it, but once it’s up and running the magazine is a huge hit, amusing and offending in equal numbers. It’s easy to see why. Some of the ideas thrown out at the staff meetings are hilarious and made me want to seek out old copies on eBay. National Lampoon magazine pushed the boundaries of what was acceptable and tasteful. They didn’t care who or what they satirised and were sued multiple times for it.

But Kenney was a restless and unhappy soul. Ever trying to seek his father’s approval and try to fill the hole in the family left by his deceased brother, you can’t help but wonder how much of this was just a cry for attention from someone perpetually stuck in adolescence. Forte’s portrayal of him is spot on, making him by turns a whirlwind of creativity and a frustrated depressive.

When Doug moves on to making films there’s much to enjoy with the recreations of Animal House and Caddyshack. You can see the actors playing Bill Murray, John Belushi, Chevy Chase, etc. are all having a ball being their heroes. There are a lot of cameos from various US TV show stars in there as well, so if you’re scratching your head wondering ‘Who was that?’ then stay for the credits and find out, and stay until after the credits if you want a cheesy little coda.

The film is very well directed with some great transitions and one scene even done as a photo story – like they used to have in magazines – giving the filmic equivalent of the chaotic and ramshackle feel of the magazine.

The end of the film is the end of Doug Kenney’s life. I was unfamiliar with who he was, so I had no idea how he died, but the film does its best not to end on a downer and succeeds.

Entertaining, inspiring and informative. A funny biopic with some serious themes behind the laughter.

Star Wars: The Last Jedi (2017) Movie Review by John Walsh


Director: Rian Johnson
Writers: Rian Johnson, George Lucas (based on characters created by)
Stars: Mark Hamill, Carrie Fisher, Daisy Ridley, Adam Driver, John Boyega, Oscar Isaac, Andy Serkis, Domhnall Gleeson

Well it has to be said, its been two extremely quick years following the release of ‘The Force Awakens’ and now Rian Johnson’s take on the Star Wars saga is out in theatres. It would be fair to say that not everyone is a overly enamoured with his vision. There has been a very vocal minority of Star Wars fandom that have taken to aggressively bashing it; even going as far as creating bots to negatively impact the Rotten Tomatoes viewer score.

This doesn’t mean that every detractor of the film is doing this or is wrong to be airing their grievances. They aren’t. Films are a highly subjective matter at the best of times. Now, combine that with a much beloved franchise and characters that have been a part of pop culture for nigh on 40 years and you’ve got yourself a recipe for some heated disagreements.

But enough of that hysteria. What did I make of it all? Well, if you’ve been listening to our podcasts then we did actually do a review last week but laying out your thoughts mere hours after leaving the cinema can make for tricky business. Things can be missed. Hence why I’m doing a written version after another viewing in an attempt to do a more ‘in depth’ review.

First of all, I’ve been a Star Wars fan for as long as I can remember. I recall playing with a Sand People figure when I was about four or five years of age and being absolutely fascinated with that galaxy far, far away. My credentials in that department are undeniable, and as a complete nobody, I can’t be accused of being a Disney shill. I absolutely loved this film. It’s not good enough to trouble the original three but it’s a damn good film and I’m genuinely perplexed at the vitriol coming from some quarters.

It begs the question. Just what were people expecting? A three and half hour long film that answered every single theory just as they’d painstakingly thought out?

Rian Johnson has a reputation for going dark, for his excellent writing ability and for just being a great director period. He’s also been a Star Wars fan from the age of four. What better credentials could you ask for? And what he’s given us is a fabulously entertaining film, that develops the newer characters well, offers a satisfying progression for the older characters, but more importantly expands and shakes up a mythology and galaxy that quite frankly had become static and in danger of repeating itself ad infinitum.

He tied up the two major loose ends JJ left from ‘The Force Awakens’ and did it well. Was it exactly what I wanted? Nope. Did I enjoy the direction he took? Yup. Rey’s parents? Yeah, they were unimportant nobodies. She wasn’t a Skywalker but instead a naturally gifted random. Fair enough. Snoke? He wasn’t Darth Plagueis. He was just some bushy eyed, deformed looking weirdo with a frankly incredible connection to the force, that had a fetish for gold and was cut down in spectacular fashion.

Luke Skywalker is by far my favourite Star Wars character. His arc seems to be causing the biggest amount of anguish amongst the films detractors. Again, Rian Johnson did not go down the path I personally would have liked to have seen come to fruition. He didn’t cut down the Knights of Ren in an epic lightsaber battle, didn’t slap down Kylo and he didn’t even leave that bloody island. But man, did I enjoy Luke in this film. The way he takes his nephew to school at the end, playing on his clear penchant for impulsiveness was a joy to behold.

The sight of him walking out to face the might of the First Order was a standout moment. Everything about it was perfect. From ‘The Spark’ theme (Williams best in this film) to the visuals, it had my personal favourite wide shot in the film too.

Mark Hamill is utterly brilliant in ‘The Last Jedi’. It’s arguably his best performance in the character of Luke. Hell, it’s arguably one of his best live action performances period. He’s been through some shit and it’s changed his character in the thirty year gap. He’s experienced unimaginable hardship, loss and learned some incredibly cool force abilities. He’s a tad grouchy and he’s taken to drinking green milk from the udder of a hideous alien. He also lost some weight and looks fantastic for it.

Princess Leia is handled very well too. The late Carrie Fisher was much improved here, giving a very good showing, following her practically mute role in ‘The Force Awakens’. The infamous space scene wasn’t as bad as some have made out. I thought the scoring and visuals were on point during it and it finally showed us Leia using the force. What’s not to like? I was also incredibly pleased to see her have a moment with Luke. It would have been criminal for either of those two to go out without sharing a scene together. It was a genuine lump in the throat moment.

Visually, I thought the film was stunning. It’s the most stylish to date and some of the action, aided by lovely wide shots, was jaw dropping. The opening shot where the camera rushes down was exhilarating, the Canto Bight stuff popped despite being superfluous, the scene when General Holdo (Laura Dern) sends the Resistance cruiser zooming through Snoke’s Supremacy was ridiculously cool and that lightsaber battle in the throne room is up there for me. There was a plethora of visually incredible moments in this film and sadly I can’t possibly list them all which is annoying.

Speaking of Canto Bight. Finn and Rose’s side plot was unnecessary, disrupted the pacing, was off in terms of tone and felt like a rather convoluted way to setup the showdown on Crait. Benicio Del Toro’s character was poor and don’t even get me started on the druggy stutter. It felt superfluous to the main plot and conjured up memories of the prequels whilst also featuring some real corny dialogue. That along with some poorly worked comedic moments and the slightly underwhelming walkers at the end was the only real let down for me.

In terms of Rey and Kylo. I actually loved the whole dynamic of their relationship in this one. The force ‘FaceTiming’ as I called it wasn’t that off putting, was explained well and again opened up new possibilities. Rey is obviously struggling to find her role in things, trying to coax Luke into training her whilst Kylo is really on the end of a prolonged bout of bullying at the hands of Snoke and equally questioning his role. Which is why I was delighted when he ended him. It was deserved and Kylo is fast becoming my favourite of the newer characters.

Adam Driver is a brilliant actor and he’s really showing up Hayden Christiansen in the how to play a conflicted character stakes. I see now why JJ hand picked him for this role. By the end, it’s pretty clear that he’s went full big bad however which is a shame because even now I want him redeemed. He’s clearly the last thread of Skywalker heritage in this saga that can realistically continue and for that reason alone I want him to survive. It’ll be very interesting to see where he goes from this.

Daisy Ridley has been criticised in some circles for her so called wooden delivery of certain lines. I must have been watching a different film though because I missed these completely. Perhaps I was too busy just enjoying the story and action instead of looking for reasons to throw the toys out the pram. She was absolutely fine for me and I felt they reigned in her ‘overpowered’ abilities, making her more vulnerable, particularly during the throne room sequences to appease the ‘Mary Sue’ brigade.

I can’t discuss this film without mentioning Poe and General Hux. Oscar Isaac is a talented actor and I’m delighted he was given a chunkier role. He learnt a valuable lesson in this and it looks like he’s taking control of the Resistance going forward. Hux was often used as comedic levity and for the most part it worked. His little smirk at Kylo upon leaving the throne room and general slyness was oddly enjoyable. Domhnall Gleeson owns the character.

Musically, John Williams returns to score this and it’s brilliance from the man as ever. There’s not many new themes in there but that’s probably because there’s not many new characters worthy of them. What he does do is reintroduce many classics to delightful effect. The Leia theme has a delicate moment in the space scene whilst Yoda’s adds an emotional edge to the return of that particular character. It just isn’t Star Wars without the great mans involvement.

Incidentally, the Yoda scene was absolutely fantastic. The puppet looked great and they nailed the mannerisms and the eccentric personality we all loved from the Original trilogy.

This is a divisive film and much of the hate appears to stem from two main issues. Firstly, predetermined fan theories not coming true, and secondly, the apparent callous way in which established mythology and characters have been dealt with. As I said earlier, I’m delighted that the mythology has been freshened up. This misconception that you must be from famous lineage to be a Jedi is just that. I think the older characters were handled competently. It’s all subjective though.

Overall. I think the positives more than outweigh the negatives in ‘The Last Jedi’. It’s not perfect by any means but it’s a brilliant addition to the Star Wars saga and opens up so many possibilities going forward. It’s added freshness to the franchise, Luke still very much has a role to play and the fate of the Resistance hangs on a knife edge. I look forward to Episode 9 now and Rian Johnson’s trilogy and I highly recommend this one to the majority of fans. Most will already have seen it mind, but if you haven’t, then what the hell are you waiting for?

Rating: 4.5/5

Ex Machina (2014) Movie Review by Stephen McLaughlin


Director: Alex Garland
Writer: Alex Garland
Stars: Alicia Vikander, Domhnall Gleeson, Oscar Isaac

Caleb is a programmer who works for Bluebook an internet search engine company and is selected through the guise of “winning” a prize to his bosses retreat or so he is lead to believe and ends up participating in a ground-breaking experiment in synthetic intelligence by evaluating the human qualities of a humanoid A.I. named Ava.

Oscar Isaac plays Nathan, the head and creator of The Bluebook Corporation who specially selects Caleb to test out his latest creation. Caleb’s role is to determine whether Ava, a female robot played by Alicia Vikander, is the first truly artificially intelligent lifeform.

Ex Machina has only three main characters throughout the movie and the retreat buried inside and on the side of a mountain gives the sets a claustrophobic feel as most of the activities are set inside the building with no windows. The sets are also very clinical in presentation and adding the lighting from very bright lit rooms to sudden darkness in the next shot. If anything all these ingredients appear to be deliberate by director Alex Garland who not only directs the character of Caleb to have an uncomfortable week away from his life but also the audience member.

Very early on in the movie you can sense there may be issues in the relationship with Nathan and Ava (hence why Caleb is called for) in fact thinking about it I’m not sure I can recall all three characters interacting together on screen once and perhaps this is why the feel to the film in slightly unnerving as there is no relationship development between all three but as paired off from Nathan and Ava’s clear uncomfortable tension to Nathan and Caleb relationship where it appears at the beginning Nathan specifically handpicked Caleb as the best programmer and looks like he just wants to share his creation with someone he likes and wants to befriend.  But the most interesting relationship is the one between Caleb and Ava for me.

I like the way Caleb wasn’t portrayed as someone too much in awe of this creation which suggests pretty much right away that the character has an understanding, an open mind and an interest in Ava. There are numerous twists and turns along the way as the story unfolds but early on we are given the impression that Caleb is not in full possession of the facts and reasons behind his visit to Nathan’s headquarters.

Ex Machina is a great movie that intrigues and pulls you into a beautifully written script and will intoxicate you scene by scene as the story unfolds. Isacc and Gleeson’s characters although aren’t exactly developed fully still interest and perhaps works in the story of two strangers, working, understanding and appear to have a mutual respect for each other’s work.

Alicia Vikander for me stole the show as Ava and portrays a realistic A.I. Humanoid who strangely you relate to and sympathise with instantly. The story itself relies up to a point the early exposition and it is not until there is a power failure within the compound that Ava can say to Caleb under no closed circuit surveillance and Nathan’s watchful eye that Caleb shouldn’t trust Nathan as he isn’t what he appears.

This point in the movie is bang on the money as it just came at the right time and made the storyline in my book more complex and really made me think, who do I trust here? Is Ava’s intelligence so far advanced that she is either developing concern? Or more worryingly is she that developed that she has her own agenda?

Watching this really does make you think how far can a machines Programme develop and where would it stop. Also concerns with Nathan’s character all but confirmed that he also has his own agenda and it was only now I was sensing Caleb appears to be the pawn in this game as his feelings for Ava are growing stronger.

Visually Ex Machina is clever. I wouldn’t say stunning as in the sets but the CG for Ava was outstanding and you almost forget that it’s an actual living breathing actor under this illusion. The movie is also fast-paced, subtle and a complex take on this genre. The last 15-20 minutes are probably the best executed scenes I’ve watched in a while and will leave you stunned at its twist and will also leaving you feeling and thinking……what next? Highly recommended.