Tag Archives: Gemma Arterton

The Girl With All The Gifts (2016) Movie Review by Darrin Gauthier


Director: Colm McCarthy
Writers: Mike Carey (novel),  Mike Carey (screenplay)
Stars: Gemma Arterton,  Glenn Close,  Dominique Tipper

Plot: A scientist and a teacher living in a dystopian future embark on a journey of survival with a special young girl named Melanie.
Running Time: 1 hour 51 minutes
IMDB Score: 6.7

Why I watched it: The trailer looked interesting, and it seemed a different take on the Zombie genre, and of course it’s a good cast.

Random Thoughts: It’s safe to say genre fans are getting their full of zombies, it’s been a long run and for a lot of people they’ve run their course but for me I’m willing to give any horror film a chance sure I’m a tad tired of zombie but this one looked like they were coming from a different view point and this is based on the book of the same name.

What I liked: The biggest takeaway for me was the performance of young actress Sennia Nanua as Melanie, she’s very good and really it’s the lead part.  She lights up the screen, it’s a tough part but she brings charm and a lot of acting chops for a young actor.  She does have some good actors to play against.  It’s always nice seeing Glenn Close and the thing here is she hasn’t done a lot of genre work, she’s good here but her character is one note for the most part.

Gemma Arterton is an underrated actress, she could just skate by on her looks but she’s done a lot of good work and here she’s very good in a quiet performance.  This is a different zombie movie, different rules, the film feels very British horror to me, if you know what I mean, a little more quiet and deliberate.  The zombies look fine and they do pose a threat, the atmosphere is good here you never know what’s coming next as the film does a nice job of unfolding not only this new future but what the rules are and what has happened.

What I didn’t like:  I beat a couple of drums when it comes to movies especially genre films, tone and pacing.  Look for my money a genre film shouldn’t be much more than 1:30, keep it tight and no padding.  This film is way too long at almost two hours and what this does is just ruin the pace of the film.  The film for the most part is boring, there’s no sense of urgency.  A lot of this film is our main cast walking around, and nothing happens.  The film needed to be tighter and honestly if you’re making a zombie film this long then we either need lots of plot or lots of character work and this film gives us neither.  The biggest shame here is except for Melanie we don’t get to know the characters, we get types and types by what they do, teacher, doctor, solider that’s  it.

Glenn Close’s character is so one note she actually has one note, she wants to operate on Melaine take out her brain and come up with a cure for the zombie fungus as she calls it, now there’s no way she could know this would work but the whole film that’s all she wants to do, she’s wounded and it doesn’t look like she can live much longer and she’s all just let me do this Melanie, seems very forced.

The main problem with the film is that it has no ending, we don’t know what would save the world and the film feels like it’s just wandering, stalling till either they run out of film or something comes to them.  I will say this about the ending it’s pretty much a non ending.

Final thoughts: I liked the acting and actors, but at the end of the day there is no excuse to make a boring zombie movie.  There’s some good stuff in here but not enough to sit through 1 hour and 51 minutes.

Final Rating: 4/10

Their Finest (2016) Movie Review by John Walsh


Director: Lone Scherfig
Writers: Gaby Chiappe (screenplay), Lissa Evans
Stars: Gemma Arterton, Sam Claflin, Bill Nighy

By all accounts, Danish director Lone Scherfig has built a career on niche British films and this continues with the period drama ‘Their Finest’. It’s a wonderful little film that manages to encapsulate the nerve shredding experience of Blitz era London with the perfect blend of comedy and romance. Anchored by the excellent Gemma Arterton, who plays a young Welsh woman, recruited by the Ministry of Information to write believable woman’s dialogue for propaganda films. This turns out to be perfect opportunity for her to make her mark in the male dominated film industry, whilst the British government does its best to coax the US into the conflict.

Catrin is struggling to keep her moody ‘artist’ partner Ellis (Jack Hustin) in their quaint flat when we first meet her and is given the impossible to refuse offer of writing “slop” for the principle sum of two pounds per week. The sexist ridden industry she thrusts herself into is illuminated early on by the bureaucratic Roger’s (Richard E. Grant) quip of “Obviously we can’t pay you the same as the chaps”. She’s a strong willed lady, our Catrin however and decides to seize the opportunity to help write a potential feature length film on the events of Dunkirk with both hands. This comes with the added benefits of more pay, something she has to request mind and the beginning of a budding relationship between her and lead writer Tom Buckley (Sam Claflin).

There’s just one problem. The twin Starling sisters from Southend, who the films events are largely based upon, didn’t actually go to Dunkirk. Encountering a mechanical problem five miles off the coast of England, they were towed back by a tug boat full of troopers, and ashamed of the truth, forced to go along with their tale of heroism. This of course, doesn’t change a great deal for Catrin or even the other two writers (blissfully unaware of this minor oversight at this point), as they seek to embellish the story with some additional details and plot points to make it more interesting to British viewers. Whilst a trip to Whitehall to see the Secretary of War played in a short cameo by Jeremy Irons forces them to include a hapless US/Danish soldier to humorous effect during the films production.

The best addition to the now embellished story comes with the Uncle Frank character played by the aging, cynical actor Ambrose Hilliard (Bill Nighy). His interactions throughout the film are absolute gold and his dialogue is perfectly delivered in the usual, polite, deadpan manner. Be it with his agent Sammy (Eddie Marsens), his sister Sophie (Helen McCrory) and Catrin herself. I love Nighy, admittedly, but he was a real standout in a film that had a very strong cast. Gemma Arterton was by far the strongest performer on show though, threatening to be outshine by several strong male performances throughout, she fought them each off, perhaps by virtue of sheer screen time alone to deliver an absolutely fantastic portrayal. Whilst Claflin was fantastic as the often surly, but likeable Buckley.

I mentioned earlier that Scherfig balanced many elements, including drama, comedy and romance, so too did she balance the harrowing effects of wartime Britain with the almost bittersweet opportunity afforded her female protagonist. As London and the world as a whole suffered from the consequences of the war, she benefitted directly from it. Apart from her losing her flat to the blitz which was a bit of drag. Several times the film would cut to air raids occurring, not shying away from the after effects either and this really cut through what for the most part was a fairly airy and upbeat affair. Whilst it’s a very clear ode to the film industry of the 1940s (there’s a funny moment with a matte painting), it also features a serious reflection and message on the frankly unacceptable treatment of women in those days.

I loved so many things about this film. It had an abundance of humorous, witty dialogue; a the lovely, infectious score; beautiful period costumes and sets; an engrossing middle act following their struggle to have the film produced with some nice romantic elements; some real nice moments of camaraderie involving the crew on the sets of the film within a film and a quite tragic, bittersweet ending that once again saved the film from becoming too predictable and soppy. One scene near the end in particular, when Catrin finally goes to watch the film in a packed theatre was beautiful and perfectly illustrated the power of film, the way it boosted the morale of people during WWII and the real combined effort (outside of the conflict and within) it took to defeat the Nazis.

I throughly, thoroughly enjoyed this little film and wouldn’t hesitate in recommending it. It’s very well written, has a bit of everything, including some fantastic performances from a very British centric cast.

The Girl with All the Gifts (2016) Movie Review by Kevan McLaughlin


Director: Colm McCarthy 
Writers: Mike Carey (novel), Mike Carey (screenplay)
Stars: Gemma Arterton, Glenn Close, Sennia Nanua 

A zombie film that really is quite different.

Google ‘not your typical/usual zombie movie’ and you’ll see a comprehensive list of reviews including Fido, Warm Bodies and World War Z. The genre is overrun with fresh takes on the undead. But what if there was a story that wasn’t a radical departure, yet offered a a deeper explanation for their being? A rationale? A purpose?

Let’s consider Ophiocordyceps unilateralis. It’s a type of fungus. Yes, seriously. I’m going somewhere with this. In 1859 British naturalist Alfred Russel discovered and named this insect-pathogenising fungus.

According to Wikipedia:

O. unilateralis, also referred to as a zombie fungus, infects ants of the Camponotini tribe, with the full pathogenesis being characterized by alteration of the behavioral patterns of the infected ant. Infected hosts leave their canopy nests and foraging trails for the forest floor, an area with a temperature and humidity suitable for fungal growth; they then use their mandibles to affix themselves to a major vein on the underside of a leaf, where the host remains until its eventual death.The process leading to mortality takes 4–10 days, and includes a reproductive stage where fruiting bodies grow from the ant’s head, rupturing to release the fungus’s spores.

In other words there’s this horrid fungus that releases spores which infects an ant, essentiallly turning it into a zombie. The infected ant then climbs to the highest point it can, latches itself on until it rots to death from the inside, all the while this spore is growing and eating the ant’s brain until it bursts, causing more spores to fall and infect more ants. Nice, innit?

Back to the film.

The Girl With All The Gifts starts on a military base where several children, with their heads and bodies bound to wheelchairs, are brought from their cells and placed in a classroom by a couple of very creeped-out soldiers. Helen Justineau (Arterton) is their teacher. She’s patient and compassionate. When one of the kids, Melanie (Nanua), asks if they could get stories instead of maths, a reluctant but sympathetic Miss Justineau agrees to contiue reading the story of Pandora’s Box from their last lesson.

When Melanie’s sensitivity and insight overwhelms her teacher, she responds by placing a comforting hand on the girl’s tightly restrained head and several military personnel burst into the classroom, pointing their guns at the children. Sgt. Eddie Parks (Considine) lectures Helen about the dangers of touching the kids and reminds her of the consequences. It’s at this point we realise what the fuss is about and why burly blokes in uniforms with loaded machine guns are so terrified of these kids.

To show the teacher why touching is forbidden, Parks rolls up his sleeve, licks his arm and places in centimetres from one of the children. Within seconds the kid is a slobbering, snarling, animalistic beast, biting at the air and struggling in its restraints. These kids were never here to be taught. These things were in the classroom to be studied, to see how quickly they learn.

Also on the base is Dr Caldwell (Close) who is researching a cure by performing experiments on the children. Caldwell plays a game of curiosity with Melanie, asking her to pick a number between 1 and 20. Melanie chooses 13 and the next day cell 13 is empty.

When Caldwell asks Melanie to solve the riddle of Schrödinger’s cat the girl tries to answer the question using logic to find out if the cat is alive or dead. Caldwell informs Melanie that the common answer to the question is that the cat MUST be thought of as both alive AND dead. The following day, Caldwell again asks Melanie to choose a number and is surprised that she picks her own cell. Melanie is brought to Caldwell’s lab for experimentation when the Doctor remarks that the girl had to be sure of why the children were being taken to the lab, drawing comparison from the Schrödinger question.

Miss Justineau bursts into the lab just as Caldwell is about to remove Melanie’s brain, but is incapacitated by Caldwell.

Hundreds of ‘hungries’ storm the base as Calwell tries to resume the procedure and Melanie is able to escape. As Helen leaves the lab, through droves of countless zombies, she’s restrained by two soldiers whom Melanie attacks with awesome viciousness. Helen, Melanie, Sgt. Parks and Dr. Calwell escape in an armoured van, along with a couple of squaddies.

There is, thankfully, a shift in tone from here, otherwise we’d be comparing this movie 28 Later.

As we discover what Melanie is, we focus less on the scrambling, aimless hungries and more on the enemy within. Here is an amiable, friendly and helpful little girl or, at least, an approximation of one. Melanie isn’t a hungry. She’s something different. She was infected in utero, eating her way out of her mother. But here she’s willing to roam through the abandoned streets for food, supplies and a way to avoid the hungries, not so much for the good Doctor or Sgt. Parks, but for her teacher who she cares for.

This is where we find the film’s message. It’s revealed that the cause of the infection is exactly like the fungus which turns ants into zombies.

The hungries are merely carriers of the fungus, helping it to spread and germinate. It becomes clear that there is a question of what kind of like is most valued. Dr Caldwell is first seen as cold and merciless, butchering children in order to better understand the infection. From her point of view, she’s trying to preserve life. Human life. Melanie is something new. It doesn’t necessarily mean that her life is any less relevant. She’s a creature of instict trying to survive. She’s animalistic but also shows compassion and empathy. Are we less beastly in our pursuit to be the dominant species on the planet. Have we ever been?

Director Colm McCarthy is hugely successful in delivering a zombie action drama which asks questions, explains the cause and effect of the infection and makes it look tragic and beautiful in equal measure. The always excellent Considine does more than deliver an archetypal squaddie in the face of danger. He offers real depth and insight into a man in a unique situation. Glenn Close is exceptional as the pragmatic doctor. Her Dr. Caldwell is calculated but desperate, yet always managing to keep her personal feelings from doing what is right in her mind. Gemma Arterton is a joy to watch as the compassionate and caring teacher but never ventures into maudlin sentimentality. Newcomer Sennia Nanua is wonderful as the subtly creepy but ultimately optimistic Melanie. It would be great to see more from her in the future.