Tag Archives: Hugh Jackman

Missing Link (2019) Blu-Ray Movie Review By D.M. Anderson


Missing Link Review

Director: Chris Butler
Writer: Chris Butler
Stars: Hugh Jackman, Zoe Saldana, Zach Galifianakis, Stephen Fry, Timothy Olyphant, Emma Thompson, Matt Lucas, Amrita Acharia

One thing is certain: Laika Studios – located right in my backyard, by the way – has never made it easy on themselves. In an era when virtually all animated features are CG, they adhere to the painstaking process of stop-motion animation (probably why they’re produced only five films in 10 years). When even Pixar has succumbed to franchise fever, Laika continues to take enormous creative and financial risks with concepts that aren’t easily marketable nor conducive to franchising. Laika makes family films without ever dumbing them down or blatantly catering to kids with “cute” characters.

They are films made by artists, not technicians or accountants, so it must have really stung when Missing Link didn’t find an audience while another studio can vomit-out The Emoji Movie and audiences vomit-back $200 million. That’s like a talent show where a classical pianist comes in second place to a kid who can squirt milk out his nose.

In a way, I can understand Missing Link being a hard sell. It’s populated with unconventionally-rendered, wildly-exaggerated characters that wouldn’t look good on a cereal box. In fact, the title creature, Mr. Link (aka “Susan”), is initially off-putting, with a snout like a botched nosejob. The humor is often very dry and a lot of the best gags aren’t visual ones.

But like Laika’s other films – The Boxtrolls, in particular – Missing Link develops an infectious, easy-going charm that can sneak-up on the viewer, perhaps without them realising it. Though seldom laugh-out-loud funny, there are frequent bits of throw-away dialogue that are often uproarious (“You’re utopia sucks!”). The voices provided by an impressive cast are merely adequate (Hugh Jackson seems kind-of underused), but their characters are what matter and they tend to grow on you as the story unfolds.

Of course, it’s the unappreciated stop-motion animation that ultimately steals the show. The attention to detail is amazing, the characters’ expressions & movements so fluid that one could almost mistake it for computer animation. Even if one isn’t enamoured by its aesthetic, characters or story, the technical merits alone make Missing Link worth seeing. Another visually impressive achievement from Laika Studios, it’s a shame their hard work was largely ignored in theatres. On the other hand, since this Blu-ray comes with some fascinating making-of featurettes, maybe it’ll be easier to appreciate at home.

Logan (2017) Movie Review by Darrin Gauthier


Director: James Mangold
Writers: James Mangold (story by), Scott Frank (screenplay by)
Stars: Hugh Jackman, Patrick Stewart, Dafne Keen

Plot:  In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan’s attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
Running Time: 2 hours 17 minutes
Rotten Tomatoes Score: Critics 93%   Audience 90%

Why I Watched it: A R-Rated Wolverine movie how could you say no.
Thoughts: Now it took me awhile to watch this and it’s because of the hype, it’s the one thing with fan boys now nothing is just good it has to be called the best, the best comic book movie, the best Wolverine movie, and I have to say with watching the trailers it looked dark which I like but it also looked somber, not sure I wanted a depressing Wolverine movie.  The other thing I will say going into the review just because something is different doesn’t make it better so much has been made of Logan being a great film cause it’s different from other super hero movies, and it is but just on that fact alone doesn’t make it better.

What I Liked: Hugh Jackman will always be Logan, he just nails the character and for me he’s been the best part of the X-Men franchise, he never sleeps walks and he always shows heart and emotion playing Logan.  In this film I think Patrick Stewart is even better he gets to be sad, funny, noble, wise and also tired.  We’ve never got to see comic book characters end or get old, there’s no riding off into the sunset for these guys cause comics by their nature get to reboot whenever they want but you get the sense in both Stewart’s and Jackman’s performances that they’re saying goodbye to dear friends.

One thing I want to point out here there’s a couple of fight scenes and they’re just wicked, I don’t think I’ve ever seen fight scenes in this genre being this ferocious, the energy in these fights are off the charts.  Really like the young actress Dafne Keen, she does a lot in her fights, she has personality in her fights. For a young actress she has a very strong presence.  I liked half of Boyd Holbrook’s performance the first half and boy this guy can be a star. A lot of talk has gone into what this film is like and for me it’s the first comic book movie to really look at the person not the character, not the ability but what cost they’ve paid to be what they are and yes they take that to the grave.  It’s like ‪The Wild Bunch‬ and Unforgiven was to Westerns, bare bones the grit and reality of it all.

What I Didn’t Like: I had a few major problems with the film, and I didn’t care for the writing of Logan this time around, look Jackman owns it but he’s so one note here it bothered me, I get he has demons but come on, he has no charm and no sense of humor at all and just yells at everyone, his lines are just saying “take your pills, there’s no more mutants, I don’t care, there’s no Eden it’s a dumb comic book” Take a drink for every time he’s wrong in this film, he’s not an anit-hero he’s an annoying old man and I wouldn’t want to be in the same room as him.  Now I don’t think it worked and I don’t like the character as written in this film.  Also I was very disappointed in no word building here, they say the future they say no more mutants, how?  what’s the world like now?  How did we get there?  Also are we going from the comics or the movies?  Never got the sense of this future.

I found the film boring and slow at times and the sub-plots didn’t work for me, it’s like now all comic book films feel they have to be over 2 hours the long running time shows how important it is.  Near the end all the momentum is drained from the film, hey let’s have three scenes of Logan sleeping, the drama. The ending left me cold, look we all knew what was going to happen and it didn’t move me the way it should, they set this up not of wondering what will happen but when it will.  Really the main bad guy is an evil doctor, really?  Boy it’s so different.

Final Thoughts: It was for the most part a well done film and for the record I liked that it was R-Rated and I liked seeing these characters again played by these actors.  It’s just not the greatest anything of all-time and it doesn’t have to be to be a solid film.

Rating: ‪6/10‬

The Greatest Showman (2017) Movie Review by Chauncey Telese


Director: Michael Gracey
Writers: Jenny Bicks (screenplay by), Bill Condon (screenplay by)
Stars: Hugh Jackman, Michelle Williams, Zac Efron, Zendaya

Hugh Jackman will forever be known for Wolverine, however as the “SNL” sketch “Two Sides” notes, Jackman has two sides. He can be Logan but he’s also a musical theater guy. Now that Logan is behind him he can focus on realizing his dream of being a 21st Gene Kelly. His passion project “The Greatest Showman” about P.T. Barnum is a fascinating window into Jackman. He clearly relishes in playing Barnum as Gabbo, all but actually singing “you’re gonna like me, you’re gonna love me!”. The problem is that in wanting to play the showman he chooses as story that glosses over the darker elements of Barnum and his most famous creation; the circus, in favor of a film that’s only ambition is to crowd please. Crowd pleasing in and of itself isn’t a bad thing and on that level the film mostly works but it causes everything to ring false.

“The Greatest Showman” opens up with a young Barnum (Ellis Rubin), the poor son of a tailor. While he accompanies his father on a job he meets the wealthy Charity (Skylar Dunn). She is the daughter of a wealthy family and they bond after he makes her laugh. Her father sees this budding friendship and then banishes her off to finishing school. Barnum is reminded that he’s beneath Charity but that doesn’t deter him. They send clandestine letters back and forth until one day they’re married and have two daughters. The adult Charity (Michelle Williams) loves that Barnum is full of whimsy and has no problem eschewing her wealth to support his dreams.

After losing his job as an accounting clerk he decides now is the time to break out of his monotonous life. He cons a bank into loaning him $10,000 so he can buy a museum of oddities. At first no one is biting but his daughters give him the idea of finding living acts. Barnum recruits a bevy of “freaks” that happen to live in town. The three freaks that the audience actually gets to meet are Tom Thumb (Sam Humphrey), the Bearded Lady Lettie (Keala Settle), and the trapeze artist Anne (Zendaya). Barnum’s show is instantly the talk of the town. At first people are terrified at the people Barnum puts front and center but then they are dazzled. Well, almost everyone. There are certain townspeople that want these freaks ridden out of town on a rail. There is also the critic James Gordon Bennett who lambasts Barnum for being a huckster. Barnum then makes it his mission to elevate his show and himself into high society.

The problem with this critique is that his show isn’t a con. What you see is what you get. Every oddity is as advertised so that seems like an odd corner to take on Barnum’s show. Furthermore, the film paints Barnum as this huckster but with the exception of conning the bank to loan him money, he doesn’t really swindle anyone. Sure, he’s charismatic and a barker but not a flim-flam man. The real Barnum is credited with the famous line “There’s a sucker born every minute”. That line is not in the film which is a clear and conscious choice. Jackman’s Barnum is meant to be a well-meaning dreamer who uses his force of personality to make his dreams happen.

Every character exists to serve Barnum and while they are given stuff to do, it is purely surface level. Barnum recruits playwright Phillip Carlyle (Zac Efron) to help him make the show better. Barnum persuades him by convincing him that he’s unhappy and confined by being born into wealth. At no point does the film actually show the audience that this is the case. When they meet Phillip seems unhappy that this particular work isn’t his best but other than that Phillip isn’t a character. That undercuts this moment where all of a sudden Phillip buys into the circus. Ditto, his relationship with Anne. They meet and she doesn’t like him. Then after hearing a performance of renowned opera singer Jenny Lind (Rebecca Ferguson) they’re in love. At no point does the film bother to give Anne a character nor do they give her trapeze artist brother W.D. Wheeler (Yahya Abdul-Maheen II) a name. Barnum and Charity are supposed to have this collaborative relationship but that is never shown. He gets caught up with Jenny Lind and both that character and that conflict just come and go. It’s a shame because every actor is giving their best but there isn’t anything for anyone to do. Every relationship is yada-yada’d so they can get to the next musical number. All the conflict is waved away in an instant because all that stuff gets in the way of the songs.

The songs themselves are power pop dialed up to 11. Justin Paul and Benj Pasek help craft these songs that are at times catchy and all times delivered at the highest volumes by the cast. The songs are great but most songs don’t feel as though they weren’t written specifically for this movie. The musical numbers themselves are repetitive save for the number between Anne and Phillip which utilizes her trapeze ability. This is a bummer because had the film hired a better director they could’ve made better use of the actual circus. It isn’t clear what happens at the circus when each act takes place. It’s all the same opening number and then its yada-yada’d again. All of a sudden Barnum has elephants even though it’s established that he wanted or acquired them in the first place.

Director Michael Gracey wasn’t a great choice for this project. He’s a visual effects guy by trade and while everything looks glossy and vibrant, the choreography is over shot and lacks any real vibrancy. That’s been an issue with most musicals over the last 20 years. Any filmmaker that wants to make a musical should study Bob Fosse, Gene Kelly, Stanley Donen etc. because nowadays most directors are content filming musicals like they’re either embarrassed to be making a musical or are ripping off Baz Luhrman.

“The Greatest Showman” plays like the Disneyland show of P.T. Barnum’s life. It’s the version he would’ve told. That’s fine. It didn’t have to be a musical expose into Barnum and the institution of the circus. Jackman and company set out to give families a rollicking good time around the holidays and they will surely accomplish that goal. If they had tried a little harder they could’ve created an experience people won’t forget two hours after they had seen it.

X-Men: Days of Future Past (2014) Movie Retro Review By Stephen McLaughlin


Director: Bryan Singer
Writers: Simon Kinberg (screenplay), Jane Goldman (story by)
Stars: Patrick Stewart, Ian McKellen, Hugh Jackman, Jennifer Lawrence, Peter Dinklage, James McAvoy, Michael Fassbender

With Bryan Singer back to basically do a “Doctor Sam Beckett” from Quantum Leap and put right what once went wrong he has the freedom of time travel to unravel the majority of plot holes from the disaster that was “The Last Stand” and a few little niggles from the impressive “First Class”

With the Movie opening in a bleak future controlled by Sentinels which are mutant hunting machines that can eliminate any mutant despite their powers. The Sentinels are adaptive and have the ability to counteract any of the abilities the last of the mutants are capable of and destroy them.

With only a few mutants left they have discovered a way of going back in time a few days earlier through the mind to warn their previous selves of any upcoming attacks and erase their existence in those scenarios. Time us running out for them though and Professor X and Magneto come together to devise a plan that could save the mutants from extinction. The X-Men send Wolverine (Hugh Jackman) to the early 1970’s in a desperate effort to change history and prevent an event that results in doom for both humans and mutants.

The event being Raven / Mystique (Jennifer Lawrence) assassinating Dr. Bolivar Trask (Peter Dinklage) in her belief eliminating the creator of the Sentinels would be the end of the project. Unfortunately with a mutant murdering a human the government felt threatened by the mutants and continued with Trask’s project and through capturing Raven / Mystique where able to experiment with her DNA in creating more advanced Sentinels that could adapt and destroy any mutant despite their power.

Ellen Page is back as Kitty Pryde. You remember her? the tiny mutant that could run through walls. Well now she can send mutants back in time with mind control. I don’t get it either but it works and you are better not thinking too hard on that one and just accept it as this is the premise of the storyline. Also this movie is based on the Comic Book so you can’t argue with that okay.

After the events (a decade later) of First Class both Erik Lehnsherr and Charles Xavier are no longer friends. Xavier is now a recluse living with Hank McCoy (Nicholas Hoult) in the grounds that used to be “The School for Gifted Youngsters” and after the alleged assassination on President Kennedy, Erik Lehnsherr is now under heavy guard within the foundations of a purpose built prison inside the Pentagon. It is Wolverine’s task to unite the two former friends in preventing Raven / Mystique assassinating Trask.

The Director of Photography Newton Thomas Sigel who previously worked on X-Men (2000) and X-Men 2 (2003) and further Bryan Singer Projects (The Usual Suspects, Superman Returns and the sequel to this film X-Men: Apocalypse (2016) has his mark all over this movie and in a good way. The 1970’s are portrayed in an authentic fashion and not shoehorning everything 1970’s related into every shot that I felt That ’70s Show did (with intent or not) The film has a dark tone to it from the opening sequences that really portrays the future as a decelate environment and a reality with no hope to it.

Gathering an ensemble of Hollywood’s finest is also a Director’s dream or nightmare. You get the sense that everyone from both “generations” of X-Men films wanted to be involved in any small way. I will stop there as I don’t want to ruin any surprises that are in store for anyone who hasn’t saw the movie yet but I was impressed by how well balanced that screen time is for the main characters but also impressed with the screen time or limited from previous characters from previous x-men films receive, no matter how big or small the actor is, they are all there to be part of this event. All Egos have been left at the door.

Again Hugh Jackman is carrying the storyline from beginning to end and it will be interesting to see how the franchise copes with his absence now he finished his involvement in the superb Logan (2017) Both First Class (2011) and X-Men: Apocalypse (2016) have cameos that didn’t really have to be there but nevertheless both scenes are standouts in the movie no matter how brief they were.

Days of Future Past was necessary to keep the franchise in its current state continuing without a massive reboot and also complements the prequel First Class by having the main characters involved in this crossover that sets up the next couple of X-Men Films superbly with the acting credentials of McAvoy, Fassbender and Lawrence to name a few. I would put Days of Future Past up there with the excellent X-Men 2 (2003) and it is a film I can rewatch over and over again. Highly Recommended.

The Wolverine (2013) Movie Retro Review by Stephen McLaughlin


Director: James Mangold
Writers: Mark Bomback (screenplay),  Scott Frank(screenplay) 
Stars: Hugh JackmanWill Yun LeeTao Okamoto 

I was pretty confident back in 2012 that they would finally nail a perfect portrayal of arguably the most famous of the X-Men after the disaster that was the Gavin Hood’s X-Men Origins: Wolverine (2009) with James Mangold in the Directorial Chair this time was a good sign and the fact that this movie wouldn’t over emphasise and indulge in the X-Men Universe and have Logan fighting in Japan against Samurai Warriors excited us as filmgoers alike.

“The Wolverine” was released in between “First Class” and “Days of Future Past” at a time the jury was out on more X-Men films. Thankfully “First Class” was a success and a small amount of faith was restored that possibly aided the release of this stand alone.

When Logan (The Wolverine) is summoned to Japan by an old Japanese acquaintance named Yashida he saved during World War II, he is embroiled in a conflict that forces him to confront his own demons.

I’m not sure where this instalment fits into the sequence of events. I can only assume this is many years after X-Men: The Last Stand as Logan is still haunted by the death of Jean Grey (Famke Janssen) who appears in his dreams and visions. Logan is now sleeping rough in the wild and only appears into civilisation when he requires supplies. This is when we as the audience learn that he is being watched by Yukio played by Rila Fukushima (Star of the TV series “Arrow”) closely and finally intervenes when Logan confronts a hunter in the local bar who illegally used poison darts to take down a grizzly bear earlier that night.

Fukushima as Yukio shows her abilities very early on in the story and acts as the master of ceremonies throughout the movie and has a ability to vision when a person will face their death. Yukio explains that Yashida who is now an old man would like to thank Logan personally for saving his life all those years ago and has a sword that he has been holding for him for all this time. This sets up the rest of the movie and where it is going. Someone as stubborn as the character Logan easily accepts this invitation which surprised me as the last response “The Wolverine” gave to someone who invited him to join them was the brief cameo in “First Class” where he told Professor X and Magneto where to go (in a more direct and obscene manner you can imagine)

Nevertheless the journey over to Japan by private jet allows Yukio to explain and fill in Logan on what Yashida has been doing since his days as a soldier and his business. These scenes are always necessary for the audience to understand where a character we know nothing about in their first 5 minutes explained quickly and never bog us down with too much exposition.

Finally Logan meets Yashida and learns he is gravely ill and we the audience begin to suspect that Logan isn’t just over in Japan to accept gratitude and a sword for his troubles. Yashida has a proposition for “The Wolverine” that he may or may not have a choice in. It is during this part of the movie we learn that Yashida has a son Shingen (Hiroyuki Sanada) who he is disappointed in and a granddaughter Mariko (Tao Okamoto) he is proud of and decides to leave everything to which angers his son Shingen.

It is at the point apart from the opening where most of the characters really are just introducing themselves and going through the motions. In fact it isn’t until (spoiler alert) the passing of Yashida that things begin to kick off. Mariko is being pursued, Logan is trying to follow her and protect her and it’s during the bullet train sequences things begin to hot up. Particularly Logan’s fighting sequences with the movies henchmen on top of the speeding train that I found the best part of the movie. This is full credit to the director of photography Ross Emery and just as important the film editing by Michael McCusker. The special effects team must have spent a lot of time working on this sequence as although in reality it will be green screened it isn’t distracting and feels like they are up there fighting at high speeds. Also the logistical aspects of the fighting choreography has to be taken into account and be congratulated.

There are also what can only be said to be future echoes in what we the audience and fans of “The Wolverine” have to accept and expect in Logan (2017) that the character can be vulnerable and is beginning to slow down and age. In this movie it is through being infected (although it appeared to be a dream sequence that turns out to be real) by “Viper” a poisonous mutant played by Svetlana Khodchenkova that Logan is slowly dying and is taking longer than usual to heal from his injuries. It is surprisingly to see first time around a Wolverine that is suffering. Logan must find away to recover from the poison and I won’t spoil how this happens but I will say Yukio has a rather graphic vision of this.

The final third of the movie reveals a few twists and turns and the end fighting sequences are in classic x-men fashion. Overall “The Wolverine” is a decent movie. It is certainly better than 2009 origins story in structure, storytelling and acting. It was refreshing to take the “fish out of water” approach with the character and Jackman never lets you down with his delivering wit and his devotion to the character. They perhaps could have left out the Jean Grey parts of the film as they only reminded us of “The Last Stand” and at this point we never knew what “Days of Future Past” had in store for us. I would recommend this to anyone who hasn’t seen it if you enjoy action films and although it is a slow start to the movie it soon picks up and is explosive. Hang around for the mid end credit scene set 2 years after the events of this movie. They are Wow…just Wow.

Logan (2017) Movie Review by Stephen McLaughlin


Director: James Mangold
Writers: James Mangold (story by),  Scott Frank (screenplay)
Stars: Hugh Jackman,  Patrick Stewart,  Dafne Keen, Stephen Merchant, Boyd Holbrook, Richard E Grant

After two excellent trailers “Logan” is the movie everyone has been anticipating for the last year or so. Again Logan (The Wolverine) is using his birth name of James Howlett in the year 2029 trying to lead an ordinary existence driving a limo as a driver. whilst in his spare time looking after his old friend and mentor Charles Xavier (Professor X) who is now sick and old and is having seizures that are so blinding they are effecting the last reminisce of the mutants on earth that Logan tries to contain by giving Charles his medication on time. Accompanying both the Professor and The Wolverine is the albino mutant Caliban (Stephen Merchant) whose ability is sensing and tracking others of his kind. All three of them live in the outskirts of nowhere on a run down old farm leading a recluse life in which seems to me just living out the remainder of their lives.

Logan has been tracked down by a lady named Gabriela (Elizabeth Rodriguez) asking for his help to get a young girl to the Canadian border for her own safety as both have been pursued by Donald Pierce played by Boyd Holbrook. We first meet Gabriela at one of Logan’s driving jobs (at a funeral service) where Logan doesn’t want to know anything about what she is asking as he is trying his best to keep a low profile and  Gabriela knows more than enough about Logan being The Wolverine and his abilities to protect and handle himself.

Pierce’s first intervention with Logan is short and at times shows a respect for the one time well known X-Men and makes it clear that he isn’t tracking down The Wolverine or Professor X (who he admits would like to meet) but the Young Girl who goes by the name of Laura (Dafne Keen) who is labelled X-23.

You visibly see Logan is old and a shadow of his former self but by going on this reluctant mission he unlocks some of the old Wolverine inside of him and we see snippets of this throughout the movie and involving X-23 when she’s more capable than Logan and Professor X thinks and she’s able to fend for herself.
Logan also begins to realise things about himself through the vision of this little girl because they have striking similarities.

It has to be said that every scene in this film feels necessary and not shoehorned in from the character development to the humour and action. Nothing feels forced and everything comes off natural which is refreshing and a great testament to these characters that we have grown and loved for the past 17 years in the cinematic world and especially as it is both the original actors Stewart and Jackman who just fit right into their characters as if they have never been away (especially Stewart who apart from limited time in X-Men: Days of Future Past and a cameo in X-Men Origins: Wolverine hasn’t really played the part for a good decade) and I was very pleased with that.

Hugh Jackman gives it all in this his final performance as Logan and I don’t think many people will disagree he has saved the best for last after than disappointing Origins story and the okay “The Wolverine”. I don’t think we have seen The Wolverine this vulnerable. He’s now old, he’s beaten and walks with a slight limp. He doesn’t  heal like he used to and this is down to the conviction from Hugh Jackman in the movie. Jackman has always stood out from the rest in the X-Men franchise with his portrayal as Wolverine/Logan and that’s partially down to the Character but mostly down to the actor portraying his take on the character. He hits the nail on the head with this somber performance and you just know he wants the character to go out with a bang.

The real surprising standout performance is from Dafne Keen who plays Laura (X-23). She gives Logan a run for his money on the brutality who is this mysterious young girl born with a same clawing-wielding gift as Wolverine. At first Keen didn’t talk and I thought this was going to be for the rest of the movie with some nods and shakes of the head for conversation in between going on violent rampages and the occasional Spanish-spoken lines, but it’s the subtly in her character that stands out as you begin to see she cares for Logan and Charles and I think by the end of watching the movie the audience want to see more of Keen as Laura in her own stand alone movie or as part of a new generation of x-men….or in this case x-children. I can see why a lot of folk would want this as there is that potential to continue the story in this universe now that Jackman, Stewart etc are hanging up their boots as mutants and it also looks like the First Class mutants have finished their trilogy with the bitterly disappointing Apocalypse. So why not continue the story instead of a reboot?

Patrick Stewart who proudly reprising his role as Charles Xavier has done what is needed for his character and he does it with perfection. With the aged Xavier now handicapped without his ability to walk, Stewart gives a blissful, if occasionally humorous portrayal as this signature role and there is a particular scene that is so touching as he lies in his bed after being taken in by a family who feed and give Logan, Charles and Laura a room for the night that hints at why there isn’t any mutants anymore and how this is the happiest he has been in as long as he can remember. Stewart as I previously mentioned just slips back into the role but with a bit of cutting humour it must be said that will make you laugh out loud in disbelief with “did he just say the f-word?”

If I had one gripe with this movie it is main villains in Donald Pierce (Boyd Holbrook).Who isn’t the kind of villain that tries to scare you. He just messes around with Logan but will become nasty if needed. Holbrook is a suitable villain for this movie but really is just a bounty hunter who doesn’t have too much to do. We are then introduced to Doctor Rice (Richard E. Grant) who is behind Pierce and who is clearly desperate to retrieve X-23 and take her back to his lab for experimentation I felt was a little villain-light and really just served as the ‘Mad Scientist” behind the plan but with no real punch.

James Mangold manages to capture every element which thrives on the edge of this conflict that he creates. it is beautiful and the talk on the street is whispers of Oscar nominations…..“in March?” you say? Yeah it’s that good. Don’t get me wrong, Director and Writer James Mangold has crafted a very fine film.  He certainly knows how to keep the action flowing and all that bad wire work we saw in the origins movie is nowhere to be seen in this beautifully shot film. Not only are the visuals stunning but the development of all ready established characters might appear to be an easy thing to pick up but Mangold is dealing with “Old Logan” and a decrepit Charles Xavier here and still manages to capture the essence of the characters from the previous movies but adds to their story, sadness, regret and above all…hope for the future of mutants alike.

I believe that this movie will be very well received by fans as the early indications are looking good and some critics are already labelling “Logan” as one of the best comic book movies of all time. I personally consider the film more in the superhero western genre? as it has that gritty feel and texture about it. I highly recommend this movie for all those reasons mentioned because it distinguishes itself from the usual superhero movies. I have all the x-men films and i liked most of them but none of them managed to reach this movie’s level of action or emotion .