There are a few moments where you may wish they went for more during scenes but overall what was delivered came off well.
Sure, it’s ultimately cinematic junk food, but so was the original, which didn’t take itself all that seriously either.
There’s some epic moments in there and none more so than when the regular joe Predator awoke in the lab and dished out a sustained ass whooping to everything in the room. It was sensational to watch and it showcased the power and ruthless nature that’s synonymous with these guys.
This is a strange film at times cause it’s a borderline horror film, it’s more fantasy granted dark fantasy. Now usually I don’t care too much for backstory and let’s be honest a couple dealing with a loss of a kid has been over used and sadly it’s often used as a plot point in horror but here the scenes with Kate Bosworth at her support group are good and you get a feel for her character and I think that’s a huge point cause often they use a tragedy as a character trait it’s not, we learn about Bosworth’s character and also that her husband Thomas Jane has stopped going to the group even though Bosworth would like him to. They even say everyone deals with death differently. So as a director Flanagan does take the time o set up the characters.
The movie begins with an arial shot of the forresty landscape with the token house planted right in the middle of the area. This lets us know right away that at some point or another our characters are going to be isolated. Standing outside her door looking into the parked car is Mary (Naomi Watts) whilst her husband is packing in the back of the car, their son looks back at her angrily, disappointed, frustrated and angry again. In fact I’m sure one of those emotions are in there, it’s just that hard to tell with Stephen (Charlie Heaton) practically looking like this the whole time he’s in the movie.