Director: Lin Oeding
Writers: Michael Nilon, Thomas Pa’a Sibbett
Stars: Jason Momoa, Jill Wagner, Stephen Lang

Jason Momoa assumes the role of Joe Braven, a logging company owner residing with his wife, daughter, and father in the picturesque Canadian wilderness. Braven defends his family against a perilous group of drug runners, showcasing an action hero persona reminiscent of the genre.

While the plot and storyline of “Braven” exhibit a degree of predictability akin to films like “Cliffhanger” (1993), the movie manages to entertain despite its foreseeable trajectory. Momoa, transitioning from his portrayal of Aquaman in the less-acclaimed “Justice League,” delivers a commendable performance in the titular role. The overall acting proficiency in the film prevents its potential deterioration.

Momoa’s embodiment of the all-out action hero is a refreshing choice, deviating from the conventional casting of figures like Jason Statham. Although the movie ultimately aligns with the standard action flick formula, Momoa’s involvement adds an appealing dimension, drawing interest from those who might have dismissed it otherwise.

The familial relationships, established within the initial 20 minutes, provide depth to the characters, particularly Joe’s connections with his wife Stephanie (Jill Wagner), daughter Charlotte (Sasha Rossof), and his father Linden (Stephen Lang), who grapples with early signs of dementia. Despite limited involvement until the climactic conclusion, Wagner and Rossof contribute meaningfully to the narrative, avoiding predictable hostage leverage scenarios.

Lang’s portrayal presents a mixed portrayal, initially evoking sympathy for his character’s struggles with dementia. However, as the plot unfolds, his condition becomes secondary to the character’s pivotal role, raising concerns about its potential impact on the narrative.

Garret Dillahunt, cast as the antagonist Kassen, adheres to the archetype of the cold and focused “bad guy” intent on retrieving drugs from Braven and seeking vengeance on his family. Dillahunt’s performance lacks the charismatic presence seen in memorable villains, contrasting with characters like John Lithgow’s Qualen in “Cliffhanger” (1993).

The cinematography by Brian Andrew Mendoza adeptly captures the stunning Canadian landscape, contributing to the film’s aesthetic appeal and emphasizing the isolation of the characters. While the film might follow predictable action movie tropes, the cinematography effectively showcases the mountainous terrain.

In conclusion, “Braven” doesn’t elicit offense and is enjoyed for what it is—an action film with a predictable storyline. The acting, particularly Momoa’s portrayal, and some well-executed action sequences contribute to its overall enjoyment. Fans of Jason Momoa are likely to find it worthwhile.

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