All We Imagine as Light, directed by Payal Kapadia, has been met with both admiration and critique for its attempt to blend a thriller with intimate character study. Set against the backdrop of a bustling Mumbai, the film explores the intertwined lives of two nurses—Anu (Divya Prabha) and Prabha (Kani Kusruti). Kapadia, known for her subtle storytelling, dives into themes of love, societal pressure, and cultural tension, using the complex dynamics between her characters to drive the narrative.

The film’s strength lies in its rich atmosphere and layered performances, particularly those of Prabha and Anu, who represent different facets of life in modern Mumbai. Anu, a romantic with a rebellious streak, contrasts sharply with Prabha, who is more rooted in traditional values and responsibilities. Their relationship reflects generational divides and the tension between personal desires and societal expectations.

The film’s strength lies in its rich atmosphere and layered performances, particularly those of Prabha and Anu, who represent different facets of life in modern Mumbai. Anu, a romantic with a rebellious streak, contrasts sharply with Prabha, who is more rooted in traditional values and responsibilities. Their relationship reflects generational divides and the tension between personal desires and societal expectations.

Kapadia’s visual approach gives the film a dreamlike quality, especially in the scenes that take place during Mumbai’s monsoon season. These moments imbue the story with a sense of nostalgia and melancholy, using the natural surroundings to evoke the emotional states of the characters. The film’s transition from urban chaos to serene rural settings also highlights a shift in tone, though this change has been met with mixed reactions. Some critics felt the second half’s focus on the countryside and nature overemphasised a simplistic contrast between urban and rural life, losing some of the narrative tension built earlier.

Despite these criticisms, All We Imagine as Light maintains a gripping edge through its exploration of socio-political realities, such as the struggles faced by interfaith couples in India. It provides a nuanced take on contemporary challenges, adding layers of depth to its thriller elements . The film’s depiction of the city—its crowded streets and quiet moments of connection—adds a unique texture, turning Mumbai itself into a character within the story.

Overall, the film’s intimate portrayal of love and cultural friction, coupled with Kapadia’s poetic direction, makes it a compelling watch, even if the shift in focus between its halves may feel uneven to some viewers. As a thriller, it might lack the high-paced suspense typical of the genre, but it offers a thoughtful, atmospheric experience for those who appreciate more meditative storytelling. If you enjoyed the film’s ability to weave together suspense with character-driven drama, you might appreciate how it prioritises emotional depth over conventional thrills.