Edward Berger’s Conclave (2024) is a compelling adaptation of Robert Harris’s novel, delving into the political manoeuvring and spiritual dilemmas surrounding the election of a new Pope. Led by Ralph Fiennes in the role of Cardinal Lawrence, the film examines themes of faith, power, and morality within the Vatican’s secretive conclave.

Berger, fresh from the success of All Quiet on the Western Front, directs with understated sophistication, capturing the claustrophobic intensity of the setting. The film juxtaposes the grandeur of the Vatican’s art and architecture with the flawed humanity of its characters. Stéphane Fontaine’s cinematography enhances this tension, contrasting the cardinals’ vibrant robes with the muted austerity of their surroundings, emphasising the moral complexity at play.

Fiennes delivers a restrained yet captivating performance, portraying Cardinal Lawrence as a man whose personal struggles reflect the larger ethical and spiritual conflicts at the core of the story. The supporting cast adds depth to the narrative: Stanley Tucci shines as the reformist Cardinal Bellini, John Lithgow brings gravitas to Cardinal Tremblay, and Lucian Msamati’s Cardinal Adeyemi captures the tension between tradition and modernity. Isabella Rossellini, as Sister Agnes, provides a quiet but pivotal presence, influencing the unfolding drama with subtle grace.

The screenplay, crafted by Peter Straughan and his team, skilfully interweaves theological debates with political intrigue, creating a layered and absorbing narrative. Moments of dry wit and understated satire keep the tone balanced, ensuring the weighty subject matter never becomes overly sombre.

The film’s conclusion delivers unexpected twists that resolve its themes of faith, integrity, and ambition in a thought-provoking manner. Widely praised by critics, Conclave has been hailed as one of the year’s most captivating dramas, cementing its position as a major contender for awards recognition.

With its blend of intricate storytelling, masterful performances, and Berger’s assured direction, Conclave stands as a powerful exploration of the human and spiritual complexities at the heart of the Vatican.