Saturday Night, directed by Jason Reitman, offers a behind-the-scenes look at the final 90 minutes leading up to the first live broadcast of Saturday Night Live on 11 October 1975. The film aims to capture the energy, pressure, and creativity involved in launching what would become a landmark television programme.
Reitman employs a real-time narrative structure, following the countdown to the inaugural show. The story centres on a young television producer, played by Gabriel LaBelle, as he navigates last-minute script changes, cast tensions, and technical hurdles. This approach is designed to immerse viewers in the fast-paced world of live television production.
The ensemble cast portrays a fictionalised version of the original comedy troupe. Cory Michael Smith plays a charismatic performer reminiscent of Chevy Chase, while Matt Wood takes on the role of an unpredictable comic figure akin to John Belushi. Dylan O’Brien appears as a sharp-witted writer-performer inspired by Dan Aykroyd, and Ella Hunt embodies a spirited comedian reminiscent of Gilda Radner. Gabriel LaBelle’s character is depicted as a determined producer managing the chaos around him.
Cinematographer Eric Steelberg uses dynamic, handheld camerawork to heighten the sense of urgency within the studio setting. The film was shot on 16mm, lending it a vintage aesthetic that reflects the 1970s era. Jon Batiste’s score incorporates jazz-inspired elements, complementing the improvisational energy of the production.
Saturday Night has received a range of reactions from critics. Some have praised its nostalgic atmosphere and ensemble performances, seeing it as a tribute to a significant moment in television history. Others have noted that the film focuses more on the production’s intensity than on deeper character development or the comedic elements that defined the original show.
With its real-time storytelling and period-specific visuals, Saturday Night offers an intriguing portrayal of live television’s high-stakes environment. While it successfully conveys the excitement of a momentous broadcast, some viewers may find themselves wanting a greater exploration of the personalities and humour that shaped the era.






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