Picture this: It’s the ’80s, Molly Ringwald’s “Pretty in Pink” hits the scene, and here I am at the tender age of 10, completely oblivious to the movie magic that’s about to unfold. It’s not until my mid-teens in the ’90s that I finally catch up with this John Hughes classic. Now, let me tell you, “Pretty in Pink” is like a time capsule of the ’80s – terrific soundtrack, oh-so-fashionable attire, and most of all, a storyline that dives deep into the ’80s ideology and class divides. It’s like a neon-lit lesson in why people should never judge a book by its cover.

And John Hughes, well, he was untouchable as a writer during this period. Just three years earlier, he gifted us with the comedy classic “National Lampoon’s Vacation.” Then he unleashed “Sixteen Candles” in 1984, followed by the legendary “The Breakfast Club” in 1985. His streak continued with gems like “Ferris Bueller’s Day Off” (1986), “Planes, Trains & Automobiles” (1987), “The Great Outdoors” (1988), “Uncle Buck” (1989), and reached its peak with the Christmas comedy masterpiece “Home Alone” in 1990. Hughes, in his mid to late 30s, had an uncanny understanding of ’80s youth. He was a maestro of character development and consistently relied on “The Brat Pack” in his directorial films. What’s striking is that he created memorable characters throughout this period, and “Pretty in Pink” is no exception.

Molly Ringwald as Andie is fully aware that her social circles are starting to blend with the more prestigious high school dwellers. In Blane (played by Andrew McCarthy), she discovers that behind the fancy cars and posh houses, there’s an honorable guy. Of course, there’s a price to pay for both Andie and Blane as the story unfolds. Enter the despicable Steff, portrayed by a youthful James Spader. He’s hellbent on reminding Blane of the “Code of Conduct” among the well-off and steering him away from the less fortunate Andie. This dynamic forms the heart of “Pretty in Pink,” addressing the social barriers of its time.

And then there’s the subplot, the bittersweet relationship between Andie and her devoted friend Duckie, played with incredible charm by Jon Cryer. Duckie would do anything for her, all while wearing a happy-go-lucky façade, even though his heart aches for Andie, who sees him as just a friend. Ringwald, McCarthy, Spader, and Cryer take centre stage, and you’ll almost forget that Ringwald was only 18 while the others were in their mid-20s.

Supporting this quartet is the brilliant Harry Dean Stanton, who plays Andie’s father, Jack. Abandoned by Andie’s mother a few years earlier, Jack is struggling to raise a teenage daughter. As the film progresses, their relationship starts to unravel. Sadly, Harry Dean Stanton passed away just under a year ago at the age of 91, but his acting, charisma, and screen presence during his 50-year career will never be forgotten. Annie Potts portrays Iona, a friend and colleague of Andie at a local record store. It’s where most of the fantastic soundtrack plays in the background, featuring gems like Echo and the Bunnymen’s “Bring on the Dancing Horses.” Potts is the supportive, razor-sharp, and brutally honest friend every Andie needs.

All in all, “Pretty in Pink” might not have the darker edge of “The Breakfast Club,” but it certainly possesses a social conscience that hits close to home. The film delves into social prejudices and how they can affect relationships with friends and lovers. Blane’s character ensures that the audience doesn’t villainize the more privileged members of society. He’s portrayed as a level-headed youth with moral values that extend beyond material possessions and bank accounts. Andie, on the other hand, represents the underdog and is incredibly relatable. John Hughes’ writing is clever and thought-provoking, and his understanding of ’80s teenagers is nothing short of remarkable. Even early in his career, Jon Cryer demonstrates why he’s regarded as a talented and funny actor, and his humour is spot on.

So, if you’re new to John Hughes’ work, I’d recommend watching his movies chronologically. You’ll witness his talents evolve with each film, and by the time you reach “Pretty in Pink,” you’ll be yearning for more. It’s not just recommended; it’s a must-watch. Enjoy the ’80s magic!

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