The Dead Ones (2019) Movie Review By D.M. Anderson

Visually and narratively surreal, it’s almost like being dropped into the middle of a fever dream. Seldom in-your-face scary, The Dead Ones builds tension through atmosphere and a creatively disorienting storyline. Despite the inevitability of its plot revelations, the film masterfully instills dread and concludes with a denouement that more-than-justifies the off-putting premise. That’s something pure exploitation is incapable of.

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Dark Encounter (2019)Movie Review By Peter Pluymers

“Dark Encounter” is a low-budget film with an original approach. Despite the fact they diligently borrowed from other well-known films, “Dark Encounter” pleasantly surprised me. And not just because of the originality of the story. But also because of the acting by the almost unknown cast (especially Laura Fraser). Plus the excellent soundtrack and sound effects. And the nostalgic feeling it gave me. It reminded me several times of similar films from the 80s. And the overall mood they managed to create. There’s something else that surprised me after reading about it. It seems as if it all takes place in the U.S. during that period. And yet this movie was entirely filmed in the UK with English actors. Amazing. In short, this SF is highly recommended.

Ghost in the Shell (1995) Movie Review By D.M. Anderson

Similar to 2001: A Space Odyssey, Ghost in the Shell has always been more of a sensory experience than a narratively compelling one. For me, the best moments have nothing to do with the story, such as the dialogue-free sequence that’s essentially a grand tour of dystopian Tokyo. Presented in long takes, accompanied by nothing but Kenjo Kawai’s haunting score, it’s like viewing a series of vivid animatic paintings. Though I’m not a massive anime fan, the film is constantly engaging just to look at, nearly every scene so rich with detail that catching everything in one sitting is impossible

Max Reload and the Nether Blasters (2020) Movie Review By D.M. Anderson

Alas, much of this is only going to be amusing to gamers who “get it,” or at-least people familiar with the culture. There might also be some additional appeal to old school nostalgics who recall the days of yore when Colecovision briefly threatened Atari’s reign in the 80s. With the exception of a few great comic performances that transcend the subject matter, most ordinary folk’ll sit stone-faced through a majority of it.

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